To Terra or not to terra…

Something interesting is happening in the liverjournal-sphere (paradox, yes) to Vertical for the first time.

A categorization debate.

To me, heated discussions about categorization always stem from that immaculate academe called History. Is it positivist? Revisionist? Reactionist (sic)? Populist pedantry?

There’s a story floating out there about Kurt Vonnegut and Haruki Murakami (though I can’t source it so this might just be hearsay) and categorization. Something about how Murakami likened himself to Vonnegut but refused to call his own work Sci-Fi because it would get packaged and shelved with less delicacy, and likely not be treated as a permanent fixture in any canon.

Sometimes categorization is an accident, and sometimes it is a tactic.

I swear to Tezuka that when Vertical started marketing its upcoming manga classic “To Terra…” whatever we said about it being shojo was based very squarely on the fact that Keiko Takemiya is generally regarded as a shojo-master and that most of the old school Japanese fans are women. Why confuse the sales reps and booksellers with a treatise on the nebulosity of gendre and genre in the Japanese comics medium, when the target reader is a shojo audience anyway?

So you can imagine how unprepared I was for what this very upset blogger had this to say:

Color me disgusted.
It has just come to my attention that certain personages are under the most unfortunate misapprehension that Takemiya Keiko’s Tera e (shortly to be released by Vertical as To Terra) is a shoujo manga, and that Vertical, for God Only Knows what idiotic, self-serving reasons, is marketing it as such.

Okay all you underinformed boys and girls out there, repeat after me:
Tera e is a SHOUNEN MANGA.
Tera e is a SHOUNEN MANGA.
Tera e is a SHOUNEN MANGA.
Is repeating it three times enough to make it stick?

The mere fact that Takemiya managed to cross over to boys comics and succeed there at such an early date is amazing. Apparently too amazing to warrant labeling her SHOUNEN MANGA correctly when it’s released in the US.

F*ck. I thought the manga world had grown out of this shit. Well, apparently I haven’t grown out of manga fandom enough not to be outraged when the tin gods try to pull it. Why don’t y’all go back to calling Inuyasha, Oh My Goddess!, and Love Hina “shoujo manga” while you’re at it?

Another blogger commented that:

Oh, this is ridiculous. Vertical are morons.
They probably think it’s shoujo because it has girls in it or something.

I can’t be called a moron and just take it. So then I responded.

Hi there.

My name is Anne – the person primarily responsible for spreading the vile deceptions concerning the categorization of “To Terra…”. How dare I tell people this seminal (etymology – 1398 Old French, “of semen” i.e. male, possibly shounen) work is shojo when it’s plain as the penis that makes shounen…well, shounen?

I am glad you all have such strong feelings about this matter. It means we (the collective manga reading public) really believe in the permanence of printed material, no matter its merits or institutional recognition. United we stand!! The Library of Congress (which won’t be seeing this book) shall NOT be led under false pretense. The World Encyclopedia (which doesn’t recognize Takemiya) shall NOT forge into its bibliography genre-blind. Major chain stores (who don’t distinguish between shojo or shonen section) shall NOT be dulled of the every nuance that makes this nation of cartoons so great.

History shall NOT be sullied.

From here forth let us refer to “To Terra…” as a space opera (read the whole series and I think you’d agree that’s a more accurate categorization).

No, but seriously. The outrage is appreciated. Just know that the categorization matter isn’t a conspiracy OR the fault of incompetence. We’ll try harder next time.

Seriously,
Anne Ishii
Director of Marketing & Publicity
aka Moron Supreme
Vertical, Inc.

A friend who’s more savvy to the world of blogger manga criticism has informed me that responding is futile, as the counter-response will be assuredly swift and ruthless.

(finger in collar) History, we hardly knew ye.

  1. Jason’s avatar

    who cares? is the art good? is it a good story? The genre snobbery makes the whole thing unapproachable.

    music snobs do the same thing. is it house? is it d&b? who cares? you’re moving to it. that’s all that matters.

  2. Matt Kish’s avatar

    Your response, while definitely futile, was absolutely priceless and spot-on. If only I had a way with words like that. I am envious.

  3. froley bazooka’s avatar

    Yes, make sure you properly preserve each sexist/sexualist term, we don’t want non-Japanese boys and girls getting confused. Plus, what would posterity say? Think of the children. The Children of (Wo)Men™©.